Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW hehehehe
@Gaolaitch@cupoftea.social
Hello there.
I do music things (editor/engraver/cellist) mostly in the UK.
Atheist, politically left, keen on reason and nuance. I've so far spent more of my life in the last century than in this one.
Anosmic due to an old head injury.
Gender: non-binary with she/her pronouns.
I may mention my daughter’s band (1000 Rabbits, on the label Young) more than is seemly.
Header: river in summer
Avatar: selfie
Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW hehehehe
Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW shush, you! The others don’t know about it!
Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW You are quite right that this ought to be right up my street but I just keep not engaging with it, and I guess that’s my subconscious telling me it’s not my thang. I have no idea why, all the signs and portents are good, and yet, nope.
Replying to @Gaolaitch@cupoftea.social
I have pie!
Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW yep for the JFSP but not the books. I don’t know why the books don’t excite me in the same way as the radio stuff.
But Cabin Pressure was a perfect gem, a four-hander with a stellar cast, not a weak moment.
Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW a) John Finnemore: 11/10 absolute genius. I trust you know Cabin Pressure?
b) back in time could happen, who knows? I’ve never tried it. Nor clockwise for that matter.
Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW well then Jodie can finish the job it’s fine with me either way. For I am the One True Jody.
Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW a) which is the worst version / is there a better one / are there better ones?
b) body clock-wise made me giggle. Maybe try moving your body anticlockwise? 🤣
Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW I’m beginning to wish the others actually existed. Jodi-who-cleans-bathrooms, that sort of thing.
Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW Right now we are all lazy. But one of us has turned the oven on so it’s gonna happen now.
Replying to @SquirrelwithaninvisibleW@mastodon.social
@SquirrelwithaninvisibleW Ooh I forgot to ask her!
If I don’t turn on the oven the apple pie won’t bake and I won’t eat any tonight. This is slightly better for future-Jody (more pie in the future) but on the other hand I want pie now. Unfortunately I am lazy now.
Replying to @Gaolaitch@cupoftea.social
Or what areas were being avoided as less comfortable, that this was considered a good place to go.
Replying to @Gaolaitch@cupoftea.social
It might be fun to try to imagine what my brain was doing that it arrived at 'I know, let's listen to Doom. A Sigh!'. And then deciding to offer it up to y'all and the fediverse gods.
Doom. A Sigh, By Istvan Marta.
This was written for the Kronos Quartet, and recorded for their disc Black Angels.
It incorporates two folk songs recorded by the composer in 1973 when he visited a Hungarian village largely cut off from the outside world.
His visit seems to have resulted a year later in punishment for the villagers who sang for him by the Hungarian government.
It occupies a very uncomfortable space musically, but not one away from which we should always turn.
YouTubeIstvan Marta - Doom. A sigh (performed by the Kronos Quartet)Replying to @bytebro@mastodonapp.uk
@bytebro @keefeglise My pleasure, glad I could help.
Replying to @bytebro@mastodonapp.uk
@bytebro @keefeglise Yes that’s right. In the Romantic era (big orchestras, complex music) composers would typically write for two harps so they could share out the notes in a way that made them possible (each using different pedal settings).
Replying to @keefeglise@mastodonapp.uk
@keefeglise @bytebro Yeah. The more dense the harmonies, the more restrictive it is. You can’t do a chromatic scale* at any sort of speed on the pedal harp, for instance
* all keys on piano in order up or down
Replying to @keefeglise@mastodonapp.uk
@keefeglise @bytebro Not all harps! I spared you that. The modern classical harp used in all orchestral music and solo classical playing does. It’s a 19thC invention I think.
Replying to @Gaolaitch@cupoftea.social
@bytebro @keefeglise Oops forgot my bona fides: I am a professional music editor, have edited a fair amount of harp music.